Here’s an excerpt from a really fun piece in the LA Times Blog from February 2010. Don’t know how I missed this when it came out…. Read the entire article here.

Steven Spielberg says there was only one reason to make his new “The Adventures of Tintin: The Secret of the Unicorn” with the cutting-edge performance-capture technology that James Cameron used on “Avatar.”

“It was based on my respect for the art of Hergé and wanting to get as close to that art as I could,” says the director, referring to Tintin’s author-illustrator, who created the international blockbuster graphic novel series (200 million copies in print) starring intrepid cub reporter Tintin, and his irrepressible canine companion, Snowy, as they venture through the pre-WWII world.

“Hergé wrote about fictional people in a real world, not in a fantasy universe,” Spielberg said. “It was the real universe he was working with, and he used National Geographic to research his adventure stories. It just seemed that live action would be too stylized for an audience to relate to. You’d have to have costumes that are a little outrageous when you see actors wearing them. The costumes seem to fit better when the medium chosen is a digital one.”

For the director of such films as “E.T.: The Extra-Terrestrial,” “Jurassic Park” and “Schindler’s List,” the new experience was transporting.“I just adored it,“ he says. “It made me more like a painter than ever before. I got a chance to do so many jobs that I don’t often do as a director. You get to paint with this device that puts you into a virtual world, and allows you to make your shots and block all the actors with a small hand-held device only three times as large as an Xbox game controller.”